Wes Anderson directed the film through colorful footage

Wes Anderson directed the film through colorful footage

Wes Anderson's films are often told by colorful palettes in a deliberate arrangement.

Entering the movie world of Wes Anderson, audiences can not resist the impressive visual performance in setting the color and setting the scene to the extreme. In short, just by color, the director - a talented filmmaker can push the viewer's emotions to whatever he wants.

Wes Anderson (Full Name: Wesley Wales Anderson) is a film director, screenwriter, actor, and American film producer. After nominating for the best director category in 2015 for the film The Budapest Hotel (Budapest, Hungary), the name of Wes Anderson is more prominent than ever. He is considered to be the most unique filmmaker in Hollywood, which, according to critics, says: "In less than five minutes, viewers can easily I realized what was his film. " Even so, people in the industry embrace the term "Wes's World" (Wes World) exclusively for his films.

Bypassing the way this director sets up scenes, scenes and frames, as well as other visual effects in the film, the palette used by Wes Anderson is a subject that critics consume. Decades of analysis can not write about their uniqueness. Wes Anderson is involved in almost every aspect of a movie, from screenwriting, filmmaking, music, to assuring unity in the world of colors and images he imagined before. there.

His films often have surreal color, warm colors mixed with the air of anomalous blues, creating rhythmic fast-paced rhythm, expressed through the actions and words of the characters in movie. For each film, the world he creates has a distinct, never-duplicate, yet powerful enough to push the viewer's emotions right on a track he has outlined, such as Moonrise. Fictitious island with a strange scout troop, Budapest Hotel is a fictional space located on an isolated mountain, or Mr.. Fox is the "underground" world of underground creatures with anomalous habits.

Sometimes the audience may not notice, but the color from the character's dress, from the way the item is set or from the background in each scene can drive emotions or stir the inner feelings of the viewer. most unexpectedly. There is no right or wrong way to choose this color, but using the correct color palette to accurately depict the emotional state of the scene is a unique but challenging task. With Wes Anderson, a cinematographer with meticulous and hard-hitting art, the color must be properly positioned in each segment.

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In the anecdotes about the film Bottle Rocket (1996), it is rumored that Wes spent many hours searching for the perfect color palette (term: color palette) for the film through transparent magazine images. Pre-process. From Bottle Rocket onwards, color has become one of the hallmarks of his singular style to create timeless images.

Studies have shown that audiences have short-term memory with color. By bringing in colorful frames with just one main color, Wes Anderson has "forced" viewers to keep in mind. For example, when referring to The Grand Budapest Hotel, the mind naturally conceives of three main colors in the film are pink, red and purple. Along with the contrast, shape and color of the subject, Wes Anderson has combined to create colorful memories that cling to the memory of the viewer.